Anna Caterina Antonacci

Anna Caterina was recognized as one of the most outstanding sopranos today and was awarded a prestigious award in the Voci Verdiane Callas & Pavarotti contests. French Republic awarded her with the most prestigious national award called 'Chevalier de L'Ordre National of the Legion d'honneur'. Era la Notte was her debut album for Naive and it received much applause. The second album, L'Alba separa dilla luce of the ombra, on Wigmore Live featuring Tosti Ciela and Hahn with Donald Sulzen has been equally well-received. Anna Caterina received the Accademici Effettivi award in 2020 by the elite panellists of the General Assembly of the Academicians of Santa Cecilia. Anna Caterina has performed the character of Madame de Croissy, in Poulenc's Dialogues des Carmelites at the Teatro dell'Opera di Roma in the 22/23 Season. The role will be performed in the final performance of the season at Bayerische Staatsoper. Anna Caterina Antonacci is an Italian soprano known for roles in the bel canto and Baroque repertories. The main subject of her work was her role in the Rossini Canon. She was mezzo-soprano for several years. Anna Caterina Antonacci was born in aged 62, and her height has not been released at the moment. Anna Caterina Antonacci Height Weight Body Measurements, Hair Color and Eye Size of Color Dress will be updated as quickly as we are able. Antonacci is not married. There is no one she's dating. It's hard to discover her past and whether she has ever been married. According to the data, she's never had children. She has seen a significant rise in her net worth between 2022 and. So how much is Anna Caterina Antonacci's net worth at the age of age 62? Anna Caterina Antonacci is a highly successful performer. Anna Caterina Antonacci is an Italian Soprano who has performed in baroque, bel canto as well as other repertories. Antonacci sang as an Rossini Canon mezzo-soprano. Antonacci is a Bologna-trained singer that was able to make her Arezzo debut as Rosina in the year 1986. Her profile was extensively written by The New York Times in March 2012.

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